An Hour Of The Flightpath Estate AW61 Afternoon Set

This is my hour’s set from last Saturday afternoon at AW61 at The Golden Lion, Todmorden, re- created at home. The photo above shows my view from the DJ booth as my set ended and the auction and raffle began- you may recognise some of the faces getting ready to bid on items from Andrew Weatherall’s studio. 

Once we’ve got all the other sets and the evening’s rotations recreated we can upload the entire thing but I thought I’d share mine in the meantime. It comes in at over an hour and I only played for an hour on the day- from memory, I mixed Biosphere’s En- Trance out because the file seemed very quiet (even for an ambient track) and it is in the mix below too. I think I mixed out of Underworld’s 8 Ball halfway through as well but just left it playing in full here because, really, what sort of person mixes out the second half of 8 Ball? I’d just faded the GLOK Starlight Dub of A Mountain Of One’s Star in when Gig, the Golden Lion’s legendary landlady, took the mic to start the auction (along with Lizzie and Sofia) so that track was left mostly unplayed- you’ll have to imagine the auction and raffle taking place when you reach that point in my set (unless you were there in which case replay it in your mind). I played Emotionally Clear as the raffle ended and to provide my handover to Dan who was waiting in the wings. 

Adam’s Flightpath Estate Afternoon Set At AW61

• Coyote: Western Revolution
• Durutti Column: Bordeaux Sequence
• Psychederek: Test Card Girl
• Four Tet: Loved
• Rick Cuevas: The Birds
• Biosphere: En- Trance
• Underworld: 8 Ball
• Wixel: Expressway To Yr Skull (Long Champs Bonus Beats)
• This Mortal Coil: Edit To The Siren
• Bjork: One Day
• James Holden: Common Land
• A Mountain Of One: Star (GLOK Starlight Dub)
• David Holmes and Raven Violet: Emotionally Clear

Western Revolution is Coyote’s sublime edit of Gil Scott Heron’s The Revolution Will Not Be Televised. I had half a mind to start with Lonely, which is from the same vinyl only EP out last year, Magic Wand Special Edition Vol. 2, but Mr Holmes played it the night before. 

Bordeaux Sequence was on The Durutti Column’s 1987 album The Guitar And Other Machines, a moment of genuine beauty from Vini Reilly. It is a re- recorded version of Bordeaux from 1983’s Another Setting. A couple of people in the room gave me a ‘thank you for playing Durutti Column’ look.

Psychederek is from Stretford, just up the road from me. Test Card Girl was a digital only single from 2023 and I’m not over it yet

Loved was a single from Four Tet, also from last year and is now the opening track on his Three album. Another 2023 song that has stuck around well into ’24. 

The Birds is by Rick Cuevas, from a self – released, private pressing album called Symbolism that came out in 1984, an album described on Discogs as ‘soft rock/ AOR’. I wouldn’t necessarily call The Birds either- a friend once described it as ‘Durutti Column on steroids’ which I’m happier with. I’m fairly certain I only know of this song because of Andrew Weatherall referencing it in an interview or playing it on a radio show. 

Biosphere’s En- Trance is ambient/ techno from Belgium in 1994, an album called Patashnik. It’s just some synth drones and an acoustic guitar- I say ‘just’, it’s much more than that obviously. Shame this WAV file I have is so quiet. 

Underworld’s 8 Ball was on the soundtrack to The Beach, the Leonardo Di Caprio film from 2000. 8 Ball is a nine minute low key epic with fluid guitar playing and some of Karl’s loveliest singing, lyrics about men with empty whiskey bottles and walkie talkies and flaming 8 ball tattoos on their arms, a man who eventually throws his arms around him. They gave this away to a soundtrack, a soundtrack where it was overshadowed a little by All Saints and Moby- most bands would kill for a tune this good and would make it a single or the track they built an album around. Someone in the Lion asked me what this was and took some convincing it was Karl on vocals.

Wixel are from Belgium (with hindsight, there’s a bit of a Belgian theme running through this mix) and put out a cover of Sonic Youth’s Expressway To Yr Skull in 2008, part of a seven track EP of Sonic Youth covers. The Long Champs edit turns it into a shimmering, semi -ambient haze that led to a couple of enquiries in the pub- and if you turn a couple of people onto something new to them, that’s what it’s all about isn’t it. 

Edit To The Siren is an In The Valley edit of Song To The Siren, This Mortal Coil’s signature cover of Tim Buckley’s song. Someone once told me this was sacrilege but for me its got a dubby/ Balearic splendour and is perfect Saturday afternoon vibes. 

One Day is one of the key early Bjork solo songs, from 1993’s Debut. The dubby bassline, house shimmer, Nellee Hooper’s production and Bjork’s delivery are all superb. 

Common Land was one of the tracks on James Holden’s 2023 album Imagine This Is A High Dimensional Space Of All Possibilities, an album I still go back to a year later. The burbling synths, birdcall, techno- ish drums and warbling sax combine to create something very heady and transportative. It’s also a tribute to the free party movement and early 90s rave and felt quite fitting for the Lion and Todmorden.

A Mountain of One’s Stars Planets Dust Me was one of my favourite albums from 2022. Andy Bell’s GLOK remix is a spaced out, sun- baked treat. 

Emotionally Clear is from David Holmes’ Blind On A Galloping Horse, 2023’s number one Bagging Area album. Seeing David Holmes bidding at the auction at AW61 from behind the decks will take some beating in 2024. 

An Hour Of 2023 In Dub

While starting to consider the end of year lists of records, singles, albums, EPs and gigs it struck me that much of what I’ve listened to this year has been very dub oriented, the rhythms and sounds of Jamaica and its 2023 diaspora very much near the forefront of everything. As my list making began and the scribbling lengthened and grew, it seemed that a dub stop off in advance of the main event might be a good way to fill this Sunday’s slot, an hour of dubby tunes to ease into the day as the week of the shortest days and longest nights approaches. There’s loads missing that could have been included, not least the dubs of songs by JIM and Richard Norris’ Oracle Sounds album, so this isn’t definitive, it’s just a version. 

An Hour Of 2023 In Dub

• Katy J. Pearson: Willow’s Song (Richard Norris Ritual Mix)
• Rude Audio and Dan Wainwright: El Qasr Dub
• Justin Robertson’s Deadstock 33s: Lone Raver In Dub
• Sonic Boom and Panda Bear: Edge Of The Edge Dub
• Stinky Jim: Quiet Spillage (The Long Champs Remix)
• Unloved: Thrill me (Justin Robertson’s Temple Of Wonders Remix)
• Whitelands: Setting Sun (AR Kane Initiation Dub)
• Electric Blue Vision: Other Skies (Hardway Bros Meet Monkton Uptown Version)
• Dot Allison: Unchanged (Glok Remix)
• African Head Charge: I Chant Too

Katy J. Pearson’s cover of Willow’s Song came out in several new versions as part of a five disc celebration of the 50th anniversary of The Wicker Man in June. Richard Norris’ dub mix is seven minutes of peak 2023 dubiness, the bassline and Katy’s voice and that haunting horn all pushed to the fore. Richard’s Oracle Sounds Volume 1 has been one of 2023’s highlights, an album of  first rate dub sounds and rhythms. Volume 2, due out in February, can be pre- ordered here. 

Rude Audio and Dan Wainwright’s Psychedelic Science is one of 2023’s best albums, a dub centred collision of South London and North Wales with Ram Dass, David Bowie, Ken Kesey and Ken Babbs and The Grateful Dead stirred into their dub stew. 

Lone Raver In Dub is one of Justin Robertson’s from the vaults releases, out digitally as Part 4 of his Deadstock 33s Unreleased Volumes. Fast rocking dub from September 2023. 

Sonic Boom and Panda Bear’s Reset album was remixed by Adrian Sherwood in full, the 60s bubblegum pop fed through the On U Sound dub machine to fine effect. Like Oracle Sounds Volume 1 an album that really reveals itself fully on vinyl. 

Stinky Jim’s Social Awareness album came out as a follow up remix album in July, the original album remixed and dubbed out. Stinky Jim’s dub comes all the way from Auckland, New Zealand, remixed in dub  style here by Welsh wizard The Long Champs. 

Unloved’s Polychrome was a nine song album from early 23, a follow up to 2022’s The Pink Album. The remixes followed a month later with Justin Robertson’s taking the road to Scratch and Tubby, a rocking dub skank. 

Whitelands are a shoegaze band on Sonic Cathedral. In June a 10″ single with remixes by returning shoegaze/ dreampop heroes AR Kane found its way into the wild, Rudy and Alex finding acres of dub space in among the wash of guitars. 

Electric Blue Vision, Jesse Fahnestock and Emilia Harmony, put out their Other Skies EP in November, an end of year hit in certain quarters of the internet, including this one. Hardway Bros and Monkton (Sean Johnston and Duncan Gray) often pull skanking rabbits out of dub hats when remixing together. This is among the year’s best. 

Dot Allison’s Consciousology, also on Sonic Cathedral, is an indie folk/ psyche/ dreamy meeting of melody and poetic lyrics. For this remix Andy Bell in GLOK guise found the dub heart of the song, somewhere in the similar cosmos as Brendan Lynch’s 1993 remix of Paul Weller’s Kosmos.

Aftican Head Charge’s A Trip To Bolgatanga is a 2023 high spot, ten of the latest stop off points on Bonjo’s four decade voyage with Adrian Sherwood.

Walrus

Duncan Gray’s latest track, available here for just £1, is a monster, an eight minute epic that slides in and then starts snarling, the bassline growling and showing its tusks. Walrus was recorded back in July and is out now. It sounds like it emerged from the sea to make its presence known, weighs half a ton and will return to the choppy waters as soon as it’s finished with you. 

Duncan’s label Tici Taci has been celebrating ten years in the business of releasing chuggy dancefloor based electronic/ dub/ slo mo/ cosmic tracks. By nature much of this kind of music is ephemeral, made for the dancefloor but not necessarily intended to last. It’s remarkable how much of Volume 1 and Volume 2 has withstood ten years and still sounds fresh. The latest release, Volume 3, is tracks from more recent times, with many artists who have featured here in the last few years-  Welsh cosmiche/ indie dancers The Long Champs, Tirana’s Balearic Uj Pa Gaz, Duncan and Ian Weatherall’s own Sons Of Slough, the brilliantly named Boy Division, plus Field Of Dreams, Martin Eve and Jack Butters. You can buy Tici Taci Decade Volume 3 here. 

A couple of samples from Volume 3 to whet your whistle (but you could dip into any of the sixteen tracks and hit gold). This is Martin Eve’s Night Train featuring the talents of Fluke’s Jon Fugler. Martin is immune suppressed, has been seriously unwell and been isolating since Covid hit in 2020. His continued cheeriness in the face of this coupled with his righteous ire at the way some people have been left behind since the government deemed Covid to be over, is inspiring. For Martin and half a million people like him (and for us, who lost a son to Covid) it’s not over. Night Train is a gorgeous slice of slinky chug- house to make the next seven minutes seem better.

Men Of Letters came out on The Long Champs album Straight To Audio, an album I raved about in 2020. Men Of Letters is a sunrise kind of moment, pattering drums and glistening guitar lines, everything heading upwards as the early morning mist burns off. 

Nostalgia For The Future

I’ve lots of recently released music to share. The new EP from The Long Champs came out two weeks ago on Tici Taci, a label celebrating ten years of releases while also continuing to put out consistently good music. The EP’s title track, Nostalgia For The Future, is a six minutes of chug, submarine sonar bleeps, mangled guitar lines, faint echoes of voice and from two minutes twenty six a fuzzy, distorted bassline that push everything onward. Layers of guitars and feedback bounce around the track, some nostalgia for late 80s and early 90s indie- dance guitar bands spliced into 2023 cosmic Welsh chug. 

The EP features two more tracks- Mind Trip, Right On and A Hungry Ghost. Mind Trip, Right On, is slower paced, a bumping bassline and various FX toplines playing off against each other. A Hungry Ghost has more of those squally guitars, backwards guitars and bursts of feedback, with insistent drums and a tambourine. You can listen to all three here.  The Long Champs 2020 album Straight To Audio is still available physically at Bandcamp, full of slo- mo, indie dance, ALFOS chug treats. 
Tici Taci are releasing four compilations to celebrate the ten years of operation. Decade Volume 2, sixteen tracks selected by label boss Duncan Gray spanning the years 2015- 2017, an embarrassment of riches including selections by Duncan himself, Uj Pa Gaz, Veneno, Planet Jumper, Tronik Youth, The Long Champs and James Rod. The compilation finishes with Duncan and Sraah Rebecca and their song Erotica Nervosa, a sleek six minutes of bump and grind. Over throbbing bass Sarah sings of sexual obsession, how freedom’s just a word until you lose it and of being reborn in the fire. Decade Volume 2 can be bought here. 

Social Awareness

Last year New Zealand dub purveyor Stinky Jim (Jim Pinkney) released Spacial Awareness, a twelve track remix and dub excursion that left few stones unturned- I reviewed it here. Jim has been busy enlisting remixers to his cause and to celebrate his birthday two days ago, Tuesday, he released the remix album available digitally and hopefully on vinyl too soon. Social Awareness has sixteen remixes and dub versions, new takes on the tracks from Spatial Awareness. 

This one is by regular visitors to these pages Rude Audio. Sand Gestures (Rude Audio Remix) continues in the same vein as Mark’s recent outstanding dub album with Dan Wainwright, Psychedelic Science, an album which blurred the lines between dub, The Grateful Dead, Ram Dass, The Merry Pranksters and David Bowie. Never one for brevity Mark’s Rude Audio remix is ten minutes thirty seconds of bass, bubbling synths, rimshots, echo and tripped out forwards progression. There’s an insistent synth squiggle that weaves its way to the front and pushes along with the rhythm. Click play and then let it run on and on. 

Another highlight is The Long Champs remix of Quiet Spillage, six minutes of electrifying dub sounds, woozy organ, descending bass and a twisted horn part- I love the breakdown at the end, everything dropping out to leave the kick drum rattling/ thumping away. The original version of Quiet Spillage is a delight, a funky exotica/ dub crossover, music for cocktails and grooving. 

Quiet Spillage

The sixteen track Social Awareness including remixes and dubs by Solar Tropics, Amamelia, Tim Prebble, Seekers International, Jefferson Belt and Strange Flesh among others is at Bandcamp. Happy belated birthday Stinky Jim. 

Boatface

Duncan Gray’s never ending supply of high quality chug continues into 2023 with the release of Boatface on Tici Taci. Gorgeous, slip sliding, 100 BPM chug with some tension inside that sinuous groove.  

There are two tasty remixes. The Long Champs remix is an insistent, slinky, robotic thumper, likely to wear the carpet out in the corners at house parties. dark repetitive fun. 

The Bedford Falls Players remix, the longest of the three at seven minutes twelve seconds, is a peach. What starts out as a long drawn out intro teases for ages, all the way through, the acid squiggle borrowed from certain New York three piece rap groups while vocal samples talking about flying objects coming from the stars pop up.

Tak Tent Two

Back in Lockdown Two I put together a second mix for Tak Tent Radio, an internet radio station based in Scotland who broadcast my first mix for them back in October (here). The second one, which I cleverly titled Tak Tent Two, went live yesterday. It is an hour of instrumental sounds, ambient, Balearic, minimal techno, shoegaze whatnot- which is pretty much where my musical head has been for the last year.

Tak Tent Two is here. Hopefully it might enhance your Sunday morning in Lockdown Three. 

• Death Circuit: Strom Dub
• Jose Padilla: Agua
• Richard Norris: Cloud Surfing
• Richard Fearless: Driving With Rodelius
• Pye Corner Audio: Phase B
• Future Beat Alliance: Beginner’s Mind
• Joe Morris: Firefly Island (Gallo Isola Acida Mix)
• The Long Champs: Straight To Audio
• Apiento and Co: The Light Machine
• Andy Bell: Heat Haze On Weyland Road