Numerical Discord Swap

A friend posted this picture on social media recently, a magazine photoshoot from 1995. Richard Whiteley at the controls. My best effort on the letters was ‘scores’, 6 letters, not too bad I thought. But, according to the Countdown¬†episode guide¬†(yes, it exists) you could get an 8 letter word- ‘scowlers’.
This is a new one from Justin Robertson (in his Deadstock 33s guise), about to come out on 7″, a chugging, funky piece of acid goodness, equal parts Detroit and Manchester with bleeps straight out of Yorkshire. It really hits the spot for Saturday.
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For One Touch

Just before Christmas, bringing glad tidings to all, a new Weatherall remix. This time it’s Justin Robertson’s Deadstock 33s project getting the reworking, ahead of an album of remixes of tracks from his 2015 Everything Is Turbulence lp. This has a vintage drum machine rhythm, is pretty industrial and has Sofia (Mrs Robertson) on vocals.

A little while back JC at The Vinyl Villain posted my Andrew Weatherall Imaginary Compilation Album, a twenty track rummage through Weatherall’s back catalogue. Inspired by my post (!) Andy Hickford has put together an hour long mix in tribute to the early years, remixes of Saint Etienne through to My Bloody Valentine with Primal Scream, One Dove, New Order, Happy Mondays and The Grid in between.

The Circular Path

This came out back in 2013 to little fanfare which is a shame as it’s a rather good remix job done by Weatherall and Fairplay on Justin Robertson’s Deadstock 33s, a sort of hypnotic, space age, techno remix. Some lovely melodies reveal themselves set off against the breakbeat. Best description I can manage right now.

The Circular Path (Asphodells Remix)

Everything Is Turbulence

Justin Robertson in his Deadstock 33s guise has a new album out- my first listen has been very rewarding and there’s lots here to get your ears into. Some of it is very much dancefloor oriented (including a Daniel Avery collaboration) but there are many other things going on too, what Justin has called ‘lysergic soul and atomic machine boogie’. This track features his wife Sofia on vocals and has bags of atmosphere.

Spots With Stripes

Two new tracks for your Saturday enjoyment. This new ep, Confluence Of Torrents, from Justin Robertson’s Deadstock 33s is a deep and dark delight, full of acidic squiggles, throbbing bass and the smell of dry ice.

Acid Ted posted this the other day and I love it- a new one from Radioactive Man (former Swordsman Keith Tenniswood). Simple drum machine rhythm, a driving bassline, some bleeps and bloops, a mournful synth line and an air that sounds like it was recorded live.

Bagging Area End Of Year List

This is my list, based on what has been played the most this year in the Bagging Area bunker, that was released this year. Judging by many of the names it looks like it could have been put together in 1991 and probably won’t have too many surprises for those that read this blog regularly. I really don’t seem to have stuck with new stuff by new artists this year. Two of my most played pieces of vinyl in 2013 have been Kolch’s Der Alte and Glass Candy’s Warm In The Winter, but both came out last year. I have gone for a dozen records (albums, singles, eps, ‘internet teasers’), plus a book.

Thirteen. Morrissey ‘Autobiography’
As Davy said, his best work for ages. Too much on the court case but the first half is superb. Far better than it could have been and full of music. And people he’s fallen out with.

Twelve. David Bowie ‘The Next Day’
But especially Where Are We Now, just as it was so unexpected. And so good.

Eleven. Two re-issues (cheating I know but it’s my list)- The Clash ‘Sound System’ and Bob Dylan ‘Another Self Portrait’.
Once you strip away the lovely ephemera and trinkets from The Clash box set you are left with the best re-mastering job I’ve heard. And the Dylan thing was a brand new look at some previously unreleased or unloved songs, beautifully played and sung.

Ten. Peter Gordon and Factory Floor ‘Beachcombing’.
Fifteen minutes of sound waves, rippling synths and Balearic loveliness.

Nine. Steve Mason ‘Monkey Minds In The Devil’s Time’. If only because in Come To Me and Fight Them Back Steve Mason released two of the year’s most affecting, emotion-laden songs, but in two very different ways.

Eight. Johnny Marr ‘Upstarts’.
A glorious upbeat guitar pop single from Mr Marr. The rest of the lp’s pretty good too.

Seven. Primal Scream ‘More Light’.
The more I lived with it, the better it got. Their best lp in a decade and though sprawling and heavy, it’s got depth, soul and invention, and they sound like they care again. Well done to David Holmes for the production job. It’s Alright It’s OK- the festival song it’s OK to love.

Six. Warpaint ‘Love Is To Die’.
New album in January. This is the best kind of advance warning- slinky, groovy dance rock from four girls who know exactly what they’re doing.

Five. Jeremy Deller ‘English Magic’ ep,
I love this- Voodoo Ray remixed by JD Twitch and Optimo. Steel drums, house piano, oh ooh ooh oh oh a ha yeah.

Four. A bagful of Andrew Weatherall remixes.
Emeliana Torrini’s Speed Of Dark, Jagwar Ma’s Come Save Me and Baris K’s 200. Spaced out dance pop, with dub basslines, indie -dance, eastern dance house. Taken together almost thirty minutes of far out bliss. But most of all the stupendous remix of Moby and Wayne Coyne’s Another Perfect Life. Still not out on vinyl. Why? Write to your MP now, start a petition, call the Omsbudsman. It’s a disgrace.

Three. Daniel Avery ‘Drone Logic’
Electronic music, techno and ambient and acid and all the rest, aimed the dance floor and the headspace. The last few songs are close to perfection, the first few will make you move your feet.

Two. my bloody valentine ‘mbv’.
What still gets me about this record is the sound- the way that some things sound dead close and some sound dead far away and how much thought has gone into this. How no one else sounds anything like mbv do. new you is beautiful. And wonder 2 is the sound of a helicopter taking off at a drum and bass night,  twenty years ago and today, simultaneously. Don’t know why he’s abandoned capital letters but with this record he can do what he likes.

One. The Asphodells ‘Ruled By Passion, Destroyed By Lust’.
Simply my most played album of the year- twelve tracks mixing up dub, early 80s punk-funk, John Betjeman, and acid house. Easy to lose yourself in, full of invention and the joy of repetitive music, I played it nonstop at the start of the year and I’ve been coming back to it ever since. Lovely packaging with the vinyl. As a companion piece the remix album was a beauty as well. It’s about time Weatherall and Fairplay took it out on the road.

Beglammered (Justin Robertson’s Deadstock 33s remix)

Deadstock, Baris, Asphodells

This Asphodells remix came out on vinyl last week- Baris K is a Turkish musician/producer who was up here the other day. In this remix Weatherall stretches it out, bassline forefront, adds an Eastern stringed instrument. And the backwards/forwards vocal is t-r-i-p-p-y. Hypnotic. The original is worth seeking out too (or just flipping over if you bought the 12″).

Also out recently (not sure if it’s on vinyl or not) is a Weatherall/Asphodells remix of Justin Robertson’s Deadstock 33s. The Circular Path has a Luke Solomon and Dmitri Veimar remix apiece too. The Weatherall one is machine-funk reminiscent of TLS to these ears. Excerpts of each available to listen to below. I know, I find excerpts annoying too. You’ll have to buy it.