Isolation Mix Four

A bit of a change again for this week’s hour long isolation mix, this time a trip into more psychedelic and psyche areas, some guitars, a couple of cover versions, some remixes and a re-edit of an 80s alt- classic with an eye, a third eye maybe, on the cosmic and the blissed out. One of the segues is a little bit clumsy but I can live with it. I’ve had to move the host over to Mixcloud as I’d used up all my available space at Soundcloud without going to the paid for service.

Tracklist-
The Durutti Column: Otis

Wixel: Expressway To Yr Skull (Long Champs Bonus Beats)

Moon Duo: Stars Are The Light

Curses: This Is The Day

Le Volume Courbe: Rusty

Sonic Boom/ Spectrum: True Love Will Find You In The End

Mogwai: Party In The Dark

The Liminanas: The Gift (Anton Mix)

Goldfrapp v Spiritualized: Monster Love

Julian Cope: Heed Of Penetration and the City Dweller Head Remix by Hugo Nicholson

Edit Service 8 by It’s A Fine Line: The Story Of The Blues (Talkin’ Blues)

The Early Years: Complicity

 

86 Palatine Road

A flat in this house on Palatine Road was once the home of one Alan Erasmus. In 1978 he co-founded Factory records along with Tony Wilson and Rob Gretton. Martin Hannett and Peter Saville soon joined. The label operated out of this flat throughout the 1980s, a short distance from where I grew up. The tales of Factory Records and its bands are the stuff of legend- no contracts, fifty-fifty split between label and bands, the artists own the music, the Hacienda must be built, Ian Curtis, So It Goes, Granada TV, Joy Division, New Order, the numbering system, A Certain Ratio, Durutti Column, Section 25, Stockholm Monsters, The Distractions, Crispy Ambulance, 52nd Street, Quando Quango, The Wake, James, The Railway Children, The Royal Family And The Poor, Miaow, Happy Mondays, the Factory egg timer, die-cut sleeves, tracing paper sleeves, no band photos on the sleeves,… In 1990 Factory moved out of 86 Palatine Road and into Factory 251 in town.
Yesterday a blue plaque was awarded to 86 Palatine Road in recognition of Factory’s cultural, civic and artistic importance. Shaun Ryder unveiled the plaque. Of course given that he demanded the destruction of the Hacienda to  prevent it becoming a museum piece Tony Wilson may not have approved of this recognition of a piece of Manchester’s musical history. But if buildings are going to be awarded blue plaques for the part they played, then this is as deserving as any.
There are so many songs that illustrate Factory’s brilliance in the 80s. On this song Otis, from Durutti Column’s 1989 album (named after its creator Vini Reilly), Otis Redding’s voice is sampled along with vocals credited to Vini’s friend Pol. Reilly’s guitar playing is fluid and lighter than air, echo on the arpeggios underpinning and enveloping the spectral Otis vocal- ‘another sleepless night for me’. And then ‘come back, come back’.