For One Touch

Just before Christmas, bringing glad tidings to all, a new Weatherall remix. This time it’s Justin Robertson’s Deadstock 33s project getting the reworking, ahead of an album of remixes of tracks from his 2015 Everything Is Turbulence lp. This has a vintage drum machine rhythm, is pretty industrial and has Sofia (Mrs Robertson) on vocals.

A little while back JC at The Vinyl Villain posted my Andrew Weatherall Imaginary Compilation Album, a twenty track rummage through Weatherall’s back catalogue. Inspired by my post (!) Andy Hickford has put together an hour long mix in tribute to the early years, remixes of Saint Etienne through to My Bloody Valentine with Primal Scream, One Dove, New Order, Happy Mondays and The Grid in between.

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The Circular Path

This came out back in 2013 to little fanfare which is a shame as it’s a rather good remix job done by Weatherall and Fairplay on Justin Robertson’s Deadstock 33s, a sort of hypnotic, space age, techno remix. Some lovely melodies reveal themselves set off against the breakbeat. Best description I can manage right now.

The Circular Path (Asphodells Remix)

Something Important Is About To Happen

Between 1992 and 1994 I shared a flat with a friend. We both bought records and for reasons of limited finances and common sense he bought some records and I bought others. This meant that when we went our separate ways I was short of a lot of records from that period which I knew very well but now didn’t have, some of which I filled in and some I never got around to. Years later I went to my collection looking for Debut by Bjork- and didn’t have it.

Big Time Sensuality is one of my favourite songs from the time- the throb of the bass, the rush of the synths, the sheer giddiness of the vocals- and a fantastically memorable video too. It also perfectly illustrates why Bjork went solo. Would this song have been improved by Einar shouting over it intermittently? It would not.

The version of the song that soundtracked the video single release was the Fluke mix, more clubby. The album version is here if you want to compare and contrast. And this is one of Justin Robertson’s thumping, arms-in-the-air remixes.

Big Time Sensuality (Justin Robertson Lionrock Wigout Mix)

Everything Is Turbulence

Justin Robertson in his Deadstock 33s guise has a new album out- my first listen has been very rewarding and there’s lots here to get your ears into. Some of it is very much dancefloor oriented (including a Daniel Avery collaboration) but there are many other things going on too, what Justin has called ‘lysergic soul and atomic machine boogie’. This track features his wife Sofia on vocals and has bags of atmosphere.

These Are Dark Days

One of the records I played early on at the party on Friday night was this 1990 Andrew Weatherall remix, slightly overlooked in his back catalogue I think. Sly and Lovechild were a clubby duo, very of the time, but they never really took off and a 1993 album was their last shot. The remix opens with the voice of ┬áthe Reverend Jasper Williams, full of warnings and dread, and despite the ‘we feel real good tonight’ announcement this song stays moody. Ominous synths, sitar and kettle drums give this a darker edge compared to some of his other work from the period. None the worse for it either.

The World According To…Weatherall (Soul Of Europe Mix)

This Justin Robertson remix of another Sly and Lovechild song, Spirit Of Destiny, has a dub-house groove and horns. Lionrocking.

Sunset Rock

We got back from South Wales last night, after a nine hour trek, including three hours parked on the M6 between junctions 14 and 15 due to a crash further up. There were car loads of people standing around on the hard shoulder.

South Wales, the Carmarthen Bay area where we stayed, is beautiful. We got the weather, several lovely beaches and some amazing sunsets. Kidwelly castle, Tenby. No wifi, no 3G.

This is by Justin Robertson’s 90s dance act Lionrock, pulled randomly from the hard drive.

Rude Boy Rock

She Lives In This House Over There

The Sugarcubes single Birthday was a record so unlike any other that it assured them some kind of instant hit status almost as soon as John Peel had taken it out of it’s sleeve. The album that followed- Life’s Too Good- was a massive indie hit. I saw them play live at some point, I think around ’89-‘ 90 (by which point they were promoting their second album, which wasn’t nearly as good). They were a good live band, Bjork doing her skippitty-boppity thing and co-vocalist Einar entertaining and annoying everyone.

Birthday got remixed by various people on an eight track e.p. Justin Robertson’s remix is the best. He avoids the easy route of just sticking a kick drum underneath and looping a little bit of Bjork’s vocal and concentrates on isolating the bass, adding some horns and a dub-dance feel (in keeping with his Lionrock project).

Birthday (Justin Robertson remix)