Satta Dub

I’ve been listening to King Tubby quite a bit this week. His dub productions are so far out there, space and sound manipulated and played around with but very precise too. His 1976 class King Tubbys Meets Rockers Uptown, done with another gentle soul Augustus Pablo, is the Tubby album to go for and needs to be listened to as a whole really but this track, the album’s closer, is doing all the right things for me at the moment.

Satta Dub

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Gamma Ray

Richard Fearless has made a new single and it is magnificent, deep, minimal techno. In the way that good techno should it draws you in with a beat and some bleeps and then unfolds over many minutes, increasing the drama and the tension. Gamma Ray is out on August 18th backed with an even more intense remix by Legowelt. There’s a snippet here but snippets are annoying so if you click here you can listen to the whole thing- a Soundcloud page that is set to private but accessible to anyone via Fearless’s publicity company’s page, the first search return on Google.

 

I can’t get Soundcloud to embed on WordPress at the moment.

 

 

Atlantis

Sheer Taft, from Greenock, made one of 1991’s most brilliant dance records- Cascades (posted before here at least once). Cascades is a sunny, druggy, bubbling delight, sent from Greenock to Camden via Ibiza. It is superb. The version that was on Creation Records classic 1991 dance compilation Keeping The Faith was mixed/remixed by another Creation dance act called Hypnotone (who have also been here before with Dream Beam, possibly twice). Sheer Taft were a duo- Thomas Taft and Ingrid Kudos- who had a second single a year later, an Italo piano house song with vocals from Mito and the writing is co-credited to Hypnotone. It’s not as good as Cascades. But then, what is?

Atlantis

Sheer Taft also put out an album called Absolute Sheerness but I’ve never even seen a copy, never mind heard it. According to the internet Thomas Taft also did gig promotion, was a member of the extended Primal Scream family, disappeared to New Zealand for ten years and had a psychedelic rock band.

The Fabulous Stains

A punk curio for Tuesday- Ladies And Gentlemen, The Fabulous Stains! was a film released in 1982, shot in British Colombia. The plot centres around The Stains, an all girl punk band created after Corinne Burns (played by Diane Lane, in the middle above) loses her job. There’s a full synopsis here¬†and the original 1982 trailer here.

The film got a dvd release in 2008 and you might find a copy on any of the popular internet shopping websites. It’s pretty dated but Lane gives a good performance and it’s good fun. The film also features the UK punk band The Professionals (who appear in the film as The Looters)- Paul Cook and Steve Jones (both at a loose end following the demise of the Sex Pistols), plus Paul Simonon (who flew off to make the film while the rest of the Clash holed up in New York starting work on Sandinista and so missed playing the bass on The Magnificent Seven) and Ray Winstone (who is now most often found encouraging people to bet responsibly NOW! before the next throw-in). The band play their song Join The Professionals in the film, proving to be a punk epiphany for Corinne Burns and later on Ray tries to get off with her in a hotel room while also telling her how frustrated he is as an artist…

 

 

 

 

 

 

 

The Professionals were an actual band for Jones and Cook and the song is perfectly adequate, functional, second division punk, showing mainly that John Lydon’s contribution to Sex Pistols songs was invaluable and unique. And maybe Glen Matlock’s songwriting was quite important too.

Definite Door To Another Dimension

A friend made me a compilation tape once following a long, rambling alcohol fueled conversation about punk. No purist, he claimed punk was where you find it. The song that grabbed me on that tape that I didn’t know was this one by The Posies. It’s what journalists call power pop,a genre that they invented to describe guitar music that was punk-ish but also poppy. Power pop is easier to identify than it is to describe. The Knack’s My Sharona is an example. This song by the Posies is vastly better than My Sharona (which is a bit annoying). Loopy, hippy lyrics, massive crunchy power chords, quiet/loud dynamics and some ace melodies that transcend 1993’s grunginess.

Definite Door

Since I Left You

The Avalanches 2000 album Since I Left You was a one-off work of near genius by a six piece from Australia, made up of over 3500 vinyl samples, and a total joy to listen to. The song that made the biggest impact over here was Frontier Psychiatrist but the rest of the double vinyl album was just as good.

Laid back vibes-check. Jazzy flute sample- check. Ghostly backing vocals- check. 60s style lead vocal sample- check. Sumptuous strings- check.

Since I Left You

Music’s Not For Everyone Part Four

The fourth and final transmission from Andrew Weatherall’s series for NTS Radio is available here. And in case you missed it, my internet friend Ctel posted an excellent new Asphodells remix at his Acid Ted blog this morning. A stuttering, icy remix of She Lies that really hits the spot.