Tuesday brings a pair of Adrian Sherwood mixes for your listening pleasure. The first is his dub mix of Monkey Mafia’s after hours classic from 1998, their cover of the Creedence Clearwater Revival song As Long As I Can See The Light. Echo, delay, melodica, the full Sherwood dubbed out business. A lovely way to start the day.

As Long As I Can See The Light (Adrian Sherwood Dub Lighting)

My own personal Woodentops revival continues- the band haven’t been far away from my stereo for most of 2018. Sherwood remixed several of Rolo and co’s songs. This is my favourite, vocals up front, crunchy guitars dropped in and out and frenetic pace maintained.

Love Affair With Everyday Living (Adrian Sherwood Mix)


In a week’s time I’m going to Gorilla to see Wooden Shjips, creators of the most blissfully cool guitar album of 2018 so far, supported by Carlisle’s The Lucid Dream (who have made 2 of the year’s most impressive singles, SX1000 and Alone In Fear, acid house and techno influences to the fore). Their album Actualisation is out in October and ahead of it comes a third single- Zenith (part 2). This one puts them firmly back in the northern psyche-rock territory with a growly bassline and vocals smothered in echo, tense and urgent and electric. I’m hoping, almost expecting, that the pairing of Wooden Shjips and The Lucid Dream will be gig of the year.

The other Zenith first appeared in 2000 AD in summer 1987, a 19 year old British superhero in the Watchmen anti-superhero mode, and a story involving the Second World War, Maximan versus the Nazis, a 1960s team with a Jim Morrison lookalike (below), and Zenith himself, a cocky late 80s flying generation gap with a quiff.

Comic Shop

I was up in the loft the other day, which is full of boxes of stuff that have now survived two house moves. Getting up and down there requires some precarious balancing on the top of a step ladder, even more risky when hauling boxes up and down. I brought down four large boxes of comics and a biggish box of cassettes. In the mid 80s I was a big comics fan. I started as a young kid reading 2000AD and then moved onto Marvel and DC. I decided the time had come to sell them, especially as money is tight, there’s a few things I’m after at the moment and raising the money out selling things seemed the best way to do it. Going through my comics collection (all filed in alphabetical order by title and then in chronological order, many of them in indivdual plastic bags) was a real Proustian rush job. I recognised some of the covers straight away and got a bit of a shiver, confronted with a much, much younger me. This younger me stared back in the shape of a few photo albums that came down as well. Look at a picture of yourself aged 17 and then tell yourself you haven’t aged. I pulled out a few comics that I thought I’d keep (for, erm, sentimental reasons) including the run of Daredevil comics illustrated by David Mazzucelli (pictures above) and written by Frank Miller, a few X-Men, the full set of original Watchmen, a handful of others. The rest have gone up on ebay. The two big boxes (several hundred comics, buyer collects etc) sold pretty quickly. A run of Alan Moore written Swamp Things went last night and a pile of 2000ADs (variable condition) that have got some interest. I suspect the big boxes have gone to  a dealer who will make more money out of them than I have but I’m not going to start attending comic fairs and conventions to sell them individually and the amount I’ve raised will buy, ooh, that Clash Sound System boxed set for instance and a bit more besides. Although part of me is sorry to see them go, the rational part of me says ‘they’ve been in the loft for twenty years, you’ll never read them again- let them go’.

I also found a pile of Deadline magazines- an attempt to marry comic strips, satire and acid house. Tank Girl was Deadline’s most famous character but there are interviews with clubby-comic crossovers and cartoon strips of ‘real’ people wearing MA1 flying jackets and ripped 501s (some by Jamie Hewlett of Gorrilaz) with references to ecstacy. Strange days. I’m keeping these too.

The cassettes went up on ebay too- not all look like they’ll sell but some Joy Division and New Order cassettes, My Life In The Bush Of Ghosts and one or two others have gone for anywhere between £2 and £8.50. These are albums I’ve got several times, in multiple formats. I’m slightly bemused that people will pay for two decade old cassettes (a pretty poor way to listen to music, let’s be honest).

Cut Copy, remixed by Audrey from a year or two ago.

Sun God (Andrew Weatherall Remix)