Crazy As She Goes

DJ Shadow >>> UNKLE >>> Richard Ashcroft >>> The Verve >>> The Good, The Bad And The Queen >>> Dangermouse >>> Gnarls Barkley.

I really liked Gnarls Barkley’s number one worldwide smash Crazy. Dangermouse and Cee Lo Green made some memorable Top Of The Pops appearances (the one where they dressed as air crew springs to mind). Back in 2006 the mash up was all the rage. This one, I don’t know who did it, splices Gnarls Barkley with The Raconteurs (Steady As She Goes).

Crazy As She Goes

We saw a band at a fiftieth birthday party last weekend- the band were much younger than us, mid-to-late 20s. Their go-to cover versions were largely early/mid 2000s- The Strokes, The Raconteurs, Arctic Monkeys, White Stripes, Black Keys. It said something culturally- these kids, their references, are post-20th century. Rave on.

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Streets Are All Quiet

Simon Tong joined The Verve as guitarist when Nick McCabe left and then stayed on when he came back (awkward! as the youngsters say). When in 2006 Damon Albarn put together a supposedly nameless band around himself, Paul Simonon (coaxed out of painting to pick up his bass again) and Afrobeat drumming legend Tony Allen, Tong came on board too. The Good, The Bad And The Queen was a very English sounding album (despite Tony Allen on drums)- Dickensian almost, songs summoning up London murk, dark, damp streets and noise coming out from behind half closed doors. This song, the album closer also called The Good, The Bad And The Queen, opens with pub style piano and closes with all of the players racing each other to get to six minutes plus ending. The album was produced by Dangermouse but doesn’t really sound like it.

The Good, The Bad And The Queen