Weatherdrive And Weatherdub

Last week there was a minor internet kerfuffle surrounding a Facebook page that I’m one of the admins of- The Flightpath Estate. It was set up several years ago as a place to share appreciation of the work of Andrew Weatherall and news about releases, DJ nights and so on. It trundled along quietly with a few hundred members. One of my co- admins Martin set up a resource called the Weatherdrive, an online dump for recordings of DJ sets, radio shows and mixes, over 700 hours worth of listening in total. In the aftermath of Andrew’ untimely death MixMag, the dance music magazine, picked up on the Weatherdrive and published a short article about it (which included a link to this blog). The article broke the Weatherdrive as it was deluged with people wanting to download mixes and the Flightpath Estate has since more than doubled its membership. MixMag then got back in touch to see if we wanted to write an article pointing readers in the direction of the ten best Andrew Weatherall mixes on the Weatherdrive. With some hugely appreciated support from Martin and Mark I wrote that article (stretching the definition of ten to twelve and reviving McGuire, the fictional figure from Weatherall’s sleevenotes to Haunted Dancehall, something I hope he wouldn’t mind). The article was published on MixMag’s website yesterday. You can read it here. It takes in twelve mixes/ sets recorded between 1991 and 2019 and on their own contain a huge wealth and variety of music. Hours of fun plus some words written by me.

To celebrate here are two dub obscurities from Andrew Weatherall’s back catalogue, both from the mid 1990s and neither currently available digitally as far as I can see. The first is a Sabres Of Paradise dub track. Ysaebud is a monstrous piece of dubbed out splendour, a unholy shotgun marriage of side six of Sandinista! and King Tubby. It came out as a one sided 7″ single with an etched B-side and was released in 1997, a couple of years after Sabres split, and was credited to S.O.P (From The Vault). According to Curley, who worked in the Sabres office, the track was rescued from a safe in the old Sabres office on Dean Street and the single was mastered directly from cassette.


Two years earlier the War Child Help! compilation was released, a record largely populated by Britpop aristocrats plus Johnny Depp and Kate Moss and some people from the dance music world (Portishead, Massive Attack, Orbital, Stereo MCs, The KLF under a pseudonym). Help! was intended to provide aid for the young inhabitants of war torn Bosnia and Herzegovina and ended up raising over £1.5 million. The idea was that everyone would record their contributions in a day, mix them the following day and then the album would come out a week later. Tucked away fairly anonymously towards the end was a track by the Planet 4 Folk Quartet, their one and only recording. Planet 4 Folk Quartet were Andrew Weatherall and David Harrow. Message To Crommie is a gorgeous piece of piano- led dub, ticking percussion and a softly padding bassline, pausing for a beautiful melodica breakdown, before the bass takes over again.

Message To Crommie