Moss

Last post in the join-the-dots sequence of this week and it’s a hop,a skip and jump from DJ Shadow on Monday to Kate Moss today. Kate collided with pop culture in 1990, the Third Summer Of Love issue of The Face magazine (Spike Island, rave, De La Soul etc) and a football and music fashion shoot in April 1990 (E For England, World In Motion etc). I had the Brazil jersey from the range she’s modelling above and wore it to Spike Island. Since then she’s floated around the music world, dipping in and out. Yesterday’s post included Jack White’s Raconteurs. Jack has at least two connections to Croydon’s supermodel- in his primary band, The White Stripes, Kate starred in the video for I Just Don’t Know What To Do With Myself, an ace, raw cover of the Dusty Springfield song. Your enjoyment of this video will depend on whether the prospect of Kate Moss pole-dancing in her underwear interests you at all.

Ahem. Moving on.
Another of Jack’s projects, The Dead Weather, saw him playing drums behind Alison Mosshart, whose day job was singing in The Kills. I’ve posted Baby Says before but that’s no reason not to do it again. Stunning song.

Alison’s musical partner in The Kills is Jamie Hince, Kate Moss’s husband. She sang vocals on Primal Scream’s 2002 cover version of Some Velvet Morning (originally sung by Lee Hazlewood and Nancy Sinatra). This song, and the Disco Heater Dub version which followed it, were produced by, and you knew this was coming surely, Andrew Weatherall. I’m not sure it’s any of those involved’s finest hour but there you go. I’ve more or less managed a Dry January- no, not alcohol, that would be stupid- a Dry January of no Weatherall and no Clash/BAD etc. Abstinence until today.

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Linger On

Drew posted The Kills cover version of Pale Blue Eyes earlier this week, a song I’ve been listening to a lot recently- both The Kills version and the original. It is the best song of it’s type that there is. A major chord or two, a couple of minors, some sparse backing and Lou Reed’s lyrics of time, paper cups, feeling happy and feeling sad and infidelity. Wondrous thing really.

The fact is that it survives being covered often as well, not something that too many Velvets songs benefit from. There’s a shaky 2-in-the-morning version by R.E.M. I like, The Kills blistering take and this beautifully played and sung one from Edwyn Collins and Paul Quinn.

Bagging Area End Of Year Review #3

List time.
I did think about not doing a list but couldn’t help myself, partly because when I sat down and started to make a list I realised that I’ve listened to a reasonable amount of new music this year, surprising myself somewhat. At blogs where more than one person contributes or yer proper music magazines there always seems to be an attempt to get some balance into their end of year lists- here at Bagging Area there’s just me so there’s not so much balance, just a list of 40 songs, singles and albums that have had repeated plays through my record player/cd player in the kitchen/car stereo/mp3 player between January 1st 2012 and yesterday. I couldn’t get my head around ranking them so they’re in alphabetical order, rather than any attempt to say which is the best.

Andrew Weatherall- Masterpiece (compilation)
Cat Power- Cherokee (album track)
Chuck Prophet- Play That Song Again (album track)
Clock Opera- Once And For All Andrew Weatherall Remix
Daniel Avery- Movement Andrew Weatherall Remix
Daniel Avery- Fabric Live 66 (compilation)
Dexys- One Day I’m Going To Soar (album)
Django Django- Django Django (album)
Hollie Cook and Prince Fatty- The Dub Goes On (album)
Hooded Fang- Tosta Mista (album)
Jack White- Love Interrruption (single)
JD McPherson- Signs And Signifiers (album)
Jimmy Cliff- Guns Of Brixton (ep track)
Johnny Marr- The Messenger (album pre-release)
Le Carousel- Lose Your Love Andrew Weatherall Remix
Lightships- Electric Cables (album)
Madness- Death Of A Rude Boy Andrew Weatherall Remix
Mark Lanegan- Ode To Sad Disco (album track)
Orbital- Wonky (album)
Paul Weller- That Dangerous Age (single)
Public Image Ltd- This Is PiL (album, well most of it)
Public Service Broadcasting- Everest (single)
Public Service Broadcasting- Everest The Centaurs Remix
Public Service Broadcasting- The War Room (mini-album)
Savages- Husbands (single)
Scott Fraser- A Life Of Silence/A Life Of Silence Timothy J Fairplay Remix (12″)
Slighter- Our Own End (single)
Tim Burgess- Oh No I Love You (album)
Toy- Dead And Gone (album track)
Toy- Dead And Gone Andrew Weatherall Remix
The Horrors- Moving Further Away Andrew Weatherall Remix
The Kills- Pale Blue Eyes (ep B-side)
The Orb and Lee Perry- Presents The Orbsetter (album)
Timothy J Fairplay- The Final Reel/The Final Reel Andrew Weatherall Remix (12″)
Tindersticks- The Something Rain (album)
Underworld- Rez High Contrast Remix
Various- Isles Of Wonder London 2012 Opening Ceremony (compilation)
Various- On The Road (Original Soundtrack)
Various- Treasure Hunting (compilation)
Viv Albertine- The Vermillion Border (album)
Wooden Shjips- Crossings Andrew Weatherall Remix (ep)

All of which shows that about 25% of my list for this year were by this man (I did think about having a separate Lord Sabre list but decided against segregation)

And a fair few others there were connected to him. So here’s your song, released on thick vinyl back in January this year-

Wooden Shjips Crossings Andrew Weatherall Remix

Cavernous dub production, clattering drums, filthy bass riff, reverb heavy vocals, trippy disco noises, long enough to lose yourself in; from a man having a third (at least, maybe fourth) purple patch.

As a bonus, this is how to cover a Velvet Underground song you’ve heard covered any number of times before and make it exciting again- the guitars in this recording are why people still pick up a stupid piece of wood with six strings on it and try to make it sound good.

The Kills Pale Blue Eyes

This time last year we’d bought our tickets for The Stone Roses at Heaton Park, probably half expecting they wouldn’t make it even that far. What I really didn’t expect was that on a Wednesday evening in May I’d be standing in Warrington’s Parr Hall in a crowd of only a thousand waiting to see them at a free gig- and the outpouring of emotion from both band and audience that night, and the songs, will live long in my memory. This clip shows them playing Benicassim in July.

Still not sure about Ian’s choice of tracksuit tops. It’s worth noting also that they have maintained a total media blackout- not a single interview that I’m aware of. Shane Meadows’ film of the whole thing is scheduled for release next year. Part of me is half expecting them to release a new song or single without any warning on Christmas Day or something. Whether you like them or not, approve of their re-union or not, they’ve managed to pull off some complete surprises and more power to them.

There’s Death In These Silver Curls

One of my most listened to songs of this year was released last year but I didn’t pick up on ’til January. Since then it’s never been far away. Baby Says off The Kills Blood Pressures album adds up to way more than the sum of the parts- overloaded biscuit tin drums, a wonderful, entrancing, snaking guitar line from Mr Kate Moss and Alison’s rasping vocal singing lines about Baby; ‘she’s dying to meet you, to take you off and make your blood hum and tremble like fairground lights’ and how ‘if ever you see skin as fair or eyes as deep and as black as mine, I’ll know you’re lying’. Some kind of post-punk, 00s, poetry thing going on there, if you ask me. The rest of the album’s good but Baby Says stands out head and shoulders above it and I haven’t got anywhere near bored of it yet.

Baby Says

Down For You Is Up

A couple of weeks ago, partly on Drew’s advice, a copy of the latest Kills single (on lovely 10″ vinyl) dropped through my door. The ep has four songs, The Kills song The Last Goodbye and three covers. Their cover version of The Velvet Underground’s Pale Blue Eyes is a stunner, Alison’s vocal and the guitar sound especially. I thought about posting it but it’s still available to buy and decided against it. Listen to it at youtube.

I went back to the Velvet’s third album as a result, probably my favourite of theirs with it’s smoky, after hours feeling and warm fuzz, nine out of the ten tracks being superb- including this one.

What Goes On

Killing The Music Industry

This is, I think, partly what this blogging thing is supposed to be about. I didn’t buy The Kills’ Blood Pressures album that came out last year. I just missed it, it passed me by. Last month Drew posted one of the songs from it, saying it was his second most played record of 2011. The song was Baby Says. I downloaded it but only got around to hearing it this week when my mp3 player put it on as I pulled out of the carpark leaving work. I almost pulled over to listen to it properly. Since then I’ve played it whenever I can. I’m ever so slightly obsessed with it- the snakey Gimme Shelter guitar riff, Alison’s vocal delivery, the distorted drums, the whole overloadedness of the production. The video is here.

So now I need to buy the album, which I’ll do as soon as payday arrives. I notice Baby Says was a 7″ single too, there were dub mixes of lead single Satellite and a recent single with some cover versions on the B-side. So there’s a good few records I’ll pay for due to Drew posting one song. What’s the problem music industry? Isn’t this what you want?

I found this one in my d/l folder too, can’t remember when or where I clicked on it, probably ages ago and then forgotten about, more fool me- Mad Professor remixing the aforementioned Satellite inna dub stylee.

Satellite (Out Of Orbit Dub!)