Isolation Mix Six

I got this dramatic shot of the sky over the Mersey on Thursday night. One habit I hope I manage to maintain once this is all over, whenever that is, is taking regular walks. You miss so much sitting inside and even the most familiar and mundane places can look different when caught at a particular time. This week’s Isolation Mix is a dubwise and post punk excursion from The Clash, some dubbed out Joy Division covers, Bauhaus, The Slits, Killing Joke remixed by Thrash, a bunch of Andrew Weatherall dub versions and some On U Sound from Dub Syndicate.

The Clash: The Crooked Beat

Steve Mason: Boys Outside (Andrew Weatherall Dub 2)

Jah Division: Dub Will Tear Us Apart

Jah Division: Dub Disorder

Bauhaus: Bela Lugosi’s Dead

The Slits: I Heard It Through The Grapevine

Dub Syndicate: Ravi Shankar Part.1

Sabres Of Paradise: Ysaebud

New Order: Regret (Sabres Slow ‘n’ Lo)

Lark: Can I Colour In Your Hair (Andrew Weatherall Version)

Killing Joke: Requiem (A Floating Leaf Always Reaches The Sea Dub Mix)

Pounding System

Not far to the north of where we live lies the River Mersey. The riverbanks on both sides are walkable and when you cross by the footbridge up near Ashton- on- Mersey golf club there are a maze of paths that wind their way through floodplains and fields, either east to the water park and then Chorlton or west through to Urmston. Much of this land is known as an Ees- Stretford Ees, Chorlton Ees and Sale Ees. Ees is an archaic word meaning a piece of land liable to flood or water meadow. The footpaths cut their way through the Ees, surrounded by trees, hedges and meadows. The M60 and its link roads are all interwoven but are very quiet at the moment. Usually from our back garden you can hear the M60. At the moment you can hear the birds and the occasional rattle of the tramline, a mile in the other direction. Our daily bout of exercise sometimes takes us along the riverbank, especially in the evening when it’s much quieter and social distancing is easier and less fraught, and through these lanes and pathways. As the sun dips out west beyond Irlam and Warrington you can sometimes get to witness a spectacular sunset. This is one of the positive things lockdown is giving us- finding local moments of beauty, even in our fairly unromantic and ordinary parts of south west Manchester, and this is now life in 2020- taking the time under these restrictions to appreciate what’s on your doorstep.

Here is some dub splendour to match the sunset above from Dub Syndicate, a key part of the On U Sound stable. I was going to post the majestic, far out sounds of Ravi Shankar (Pt 1) but it turns out I’ve posted that before, back in 2017. Pounding System was the opening track on their 1982 album The Pounding System. The bass and drums/percussion are so precise but so loose in Sherwood’s hands. The horns seem to rise up from the mixing desk, levitating. Skanking guitar parts pop in and out. Every element in it’s own space and with room to breathe.

Pounding System

Strike The Balance

Some On U Sound heaviness for Friday, from 1989’s Dub Syndicate album Strike The Balance, a masterpiece of late 80s Sherwood dub production. This song is proper rootsy dub, all bass and echo and delay with Bim Sherman singing and a freaked out metallic Dalek vocal running through it. Towards the end some woodwind floats over the top. The rest of the album rocks too, the chanting of Hey Ho, a cover of Je T’Aime with Shara Nelson and closer I’m The Man For You Baby. Like most of Adrian Sherwood’s back catalogue, it is worth shelling out for.

Mafia

Money Dealers

Let’s end the week with some dub, a previously unreleased track from On-U Sound about to be part of a Dub Syndicate vinyl re-issue set (first four albums) and a cd anthology box (Ambience Dub 1982-1985). This is a heavy duty, wandering slice of Sherwood dub with Bim Sherman’s vocals floating above the rhythms. Echo, reverb, hisses, wobbles, sounds dropping in and out. FRiday has come and it’s not a second too soon.

Ravi

Here’s some spacey Adrian Sherwood dub from 1984 for your Sunday, making use of some Indian vibes and lashings of echo.

I had a longer post in mind but when it came to writing not much came out.

Ravi Shankar Pt 1

Shake The Nation

In 1996 I bought Prince Far I’s Cry Tough Dub Encounter Chapter 3, a dive further into dub. It was a re-issue of an early 80s release, full of deep basslines and space and sound FX, mixed by Dub Syndicate (Adrian Sherwood). I found it again recently when rifling through my records, having largely forgotten about it. The Voice of Thunder, as he styled himself, is in full effect on this album. Good stuff for a Sunday morning in July.

‘Prince Far I come shake the nation, Prince Far I come tell it to  the young generation’

Shake the Nation

Sherwood Forest

That Adrian Sherwood-LSK dub of Space Oddity I posted at the weekend got me back onto a Sherwood and On U Sound tip and going through my folders I found this from the Test Pressing website back in 2010, an hour long mix of dubbed out Sherwood delights. The original page is here, which also reveals the tracklist- African Head Charge, Dub Syndicate, Doctor Pablo (the Dr Who theme) and Creation Rebel. Sherwood’s output is so vast and varied that one nine-song mix can’t hope to do anything more than dip a toe into the waters. If you go here there’s a live dj stunning set done for The Boiler Room, with lashings of delay and reggae vibes, and a crowd who possibly didn’t know what they were in for.

Adrian Sherwood The Producers #1