Monday’s Long Songs


This is a new edit from Dan Wainwright, a psychedelic Indian epic, Shanti Shanti Shanti. There’s something about Indian sounds that lends themselves to trippy, long form music- the drones, the scales, the percussion and the strings- that goes back to the 60s and then the late 80s and early 90s.

Four Tet’s music, especially his 2015 Morning/ Evening album is a delight, comes from a similar place, the Morning side especially, a piece of music I never tire of hearing. The looped vocal, a Lata Mangeshkar sample, played over Four Tet’s intricate dance rhythms and raga mode, are a total joy. I’ve posted this fairly recently but it’s too good not to share again.

Om Nama Sivaya And My Future

Some brand new chuggy electronic psychedelic goodies today, heavy grooves and trippy sounds as standard, courtesy of Dan Wainwright, Rude Audio and Stash Magnetic. Dan’s new e.p. Om Nama Shivaya is out on Oddball Records. If you order it at QRates you can help crowdfund the vinyl release. Rude Audio’s remix of the title track is a dubby, slow motion, psyched out beast, acidic squiggles, chanting and sitars. Very nice indeed.


Dan has remixed My Future by Stash Magnetic, an experimental Darkwave/ electro/ art rock duo based in London. Dan’s dub remix is one of four on the new release, out on Field Of Dreams and also including an excellent remix by Richard Sen. The remix is a very slowed down take, lurching along with voices whooshing around in the mix, a crashing drumbeat, cavernous space and a spine tingling piano/vocal breakdown. The digital e.p. is at Bandcamp.


Isolation Mix Eeleven

This week’s mix is made up entirely of songs released during lockdown, since mid- March 2020. Some of them have been written and recorded during this period. I could easily have doubled the length of this so maybe I’ll come back to this and do a part two. This one has the trippy psyche of Sonic Boom, dusty funk desert blues from Ess O Ess, some dubby jazz (or jazzy dub) courtesy of Jah Wobble, Number’s post- punk dance stance, yet more excellence from Weatherall and Walsh’s Woodleigh Research Facility, Justin Robertson and Sofia Hedblom’s blend of Nigerian rhythms and electronic dub, Dan Wainwright’s pagan chug and some Balearic bliss from Joe Morris, Rich Lane, The Long Champs and a cover by Rheinzand. There’s one segue which is a bit of a mess but it’ll have to do. Life has surface noise and all that.

Sonic Boom: Just Imagine
Ess O Ess and Saul Richards: Totem (Swamp Crawl)

Jah Wobble: Lockdown 5 (Forbearance)

Number: Red Flag

Woodleigh Research Facility: Karra Mesh

Formerlover: Correction Dub

Dan Wainwright: A Blessing

Joe Morris: The New Dawn Will Come

Rich Lane: Barry Island (The Long Champs Dub)

Rheinzand: All By Myself


Dan Wainwright has been in flood mode during lockdown, a torrent of releases and tracks on Bandcamp. The latest is his best yet, a four track e.p. on Amsterdam’s Night Noise label. The opener is Raindance, a full on chugging piano banger, night noise indeed. Second track Ceremony, which grows in intensity, has didgeridoo, space, bass, Space Invaders FX and eventually a violin, a controlled freak out. The Joe Morris Dubwise remix of Raindance is exactly what it says, Joe slowing it down, spacing everything out, dropping some lovely trippy piano in and piling the echo onto the drums and percussion. It’s a funny coincidence that when I last posted something by Dan I paired his Peace Of Mind and Get Higher releases with a new two track release from Joe, the laid back Balearica of The New Dawn Will Come. Now the two of them are united on one release.

The track that really raises the hairs and hits the heights at the moment is the third one, A Blessing, which starts out as an acid monster, dark noises likely to end up with the carpet worn out under your feet, synth sounds beamed in from left and right, the tension building for several minutes. Then unexpectedly the ceremony begins with bells, finger cymbals and chanting and the definite whiff of incense before the groove returns and the dark acid kicks back in. 2020 dance music and ancient ritual combined.

The New Dawn Will Come

Some new music for Sunday, downtempo, blissed out and chasing the Balearic beat. Joe Morris is a Leeds based DJ and producer who has created two new tracks quickly during the lockdown and they are a perfect sounding pair, bass and drums padding away and some lovely optimistic piano.

Dan Wainwright is on a creative roll, producing one new thing after another. Peace Of Mind is a slowed down, cosmic, synth voyage, like sunshine coming through the trees, a feeling of contentment and the knowledge that whatever comes tomorrow can be dealt with.

Get High is more direct and built for dancing, wonky, off kilter new beat.

How To Have A Bath

As our lives are restricted the simple pleasures become more important and everyday task that previously were automatic and functional become more significant and central to our lives, the part of our days we can look forward to and get excited about. Cooking a meal suddenly takes on a new centrality twice a day. People have been praising the benefits of slow living for some time- slow food, slow TV and so on- and now it’s enforced we can all see the benefits.

Dan Wainwright’s How To Have A Bath (Parts 1- 4) is a bit of downtempo, Balearic fun. I shouldn’t think he intended it to coincide with life in lockdown Britain when he wrote it but it seems to fit with the new pace of our lives. Dan’s put quite a few tracks and e.p.s out in the last few weeks and much of it is available at ‘name your own price’ at his Bandcamp page at Oddball records.

The Effect

Something altogether darker and less earthbound today, a remix from a forthcoming Dan Wainwright e.p.  by John Paynter (who runs a night/site called A Space Age Freak Out). Percussive, chugging science fiction with a springy bass, theremin action and noises zooming in and out, sounds beamed in from space and bouncing around from the red planet to the Sea of Tranquillity, from Convair Aeronautics to mission control.


You Don’t Really Need Me

This is from a new e.p. by Dan Wainwright, a resident of these parts apparently, a slice of cosmic, Eastern tinged, progressive chug which at some point in the fourth minute when the soft multi-tracked vocal comes in reveals itself to be a cover of The Supremes classic Keep Me Hangin’ On.

The e.p. then takes a turn into darker territory with a Hardway Bros remix, a moody, low slung groover, the appropriately titled Swamp Dub, which sounds just like a sweaty basement after hours. In a good way.

There’s a third track too, The Endless Process Of Release, starting out with synths and coo’d breathy backing vox, some lovely sequenced bass and then a mid-tempo beat gently pushing things forward, various percussive sounds reverberating round the mix, more roof terrace in the sun than cellar rave, until it all starts to build for the last few minutes, twinkling arpeggios and rushing bleeps.