Flying

I last posted this song three years ago in January 2016 and it’s fair to say a lot has happened since then. Theresa May stumbles on, unable to act, held hostage by her own red lines, her own party and the wingnuts and closet racists of the right wing, and her deal with the DUP. A government that can’t deliver whatever it was the 52% imagined they were voting for. The vox pop sections of TV news and the papers are currently full of people saying they want it over, they want out and they’re happy with a hard Brexit so ‘we’ can get back to being ‘great’ again (never mind the fact that almost everyone who uses that phrase seems to think that the word Great in Great Britain means amazing or powerful and isn’t actually just a geographical term to describe a landmass containing England, Scotland and Wales). Many of these people seem to have an unlived, deluded nostalgia for a England of the early 1950s, a post-Dunkirk and World War II but pre-Suez Crisis country, with an Empire overseas, where the milkman came every morning whistling as he left glass bottles on doorsteps, the birds chirruped in the trees and you could get an appointment at the doctor’s the same day (and there weren’t any people with darker skins or eastern European accents living down the road). I fear we are heading for a No Deal Brexit and that there are plenty of people happily welcoming this, all of whom are also suddenly experts on WTO rules and tariffs. How leaving the E.U. is going to achieve this is unclear to me. From where I’m sitting, it looks like a total disaster, for all of us. People that want to live in the past usually get stuck there. Does any other nation other than the English have such an obsession with its past, a past that never really existed? The only faint glimmer of hope is that the Tory Party will have to own this fuck up forever (and if this whole debacle led to the break up of the United Kingdom, that would be an even sweeter irony).

Back to the song and a total change of mood. St Etienne’s third single was Nothing Can Stop Us, an uptempo slice of indie/dance/northern based around a Dusty Springfield sample and the then new vocalist Sarah Cracknell. The single was a double A-side, the flip being Speedwell, a chunkier, deeper, house influenced tune. The 12″ single was followed up by second 12″, released a week later, with two remixes of Speedwell and an instrumental version of Nothing Can Stop Us. The remixes of Speedwell were by Dean Thatcher and Jagz Kooner, as The Aloof, and are superb. Totally 91.

Speedwell (Flying Mix)

Blind Faith

I’m going to keep the Balearic vibes going in a vain attempt to make it seem like summer despite the fact that I’m at work and the weather has turned dull and a tad wet. This 1992 Sensuround single was partly the work of a post-Membranes, pre-Goldblade John Robb, with vocals from Tracy Carmen and remixed here by Dean Thatcher, who was responsible for several key remixes from the early 90s. Stick it alongside some early Saint Etienne, some A Man Called Adam and some Screamadelica era Primal Scream and it makes perfect sense.

Blind Faith (Aloof Mix)

Rollercoaster

Before he was a Dust and then a Chemical Brother Tom Rowlands was in a band called Ariel who had several unsuccessful attempts to have a hit. Not all was lost though- some of their songs hold up. This Dean Thatcher remix of Rollercoaster has bags of 1990 charm, a step or two removed from Dean’s wonderful St Etienne Flying remix.

Rollercoaster (Dean Thatcher’s Flying Mix)

Speedwell

Speedwell was the b-side to St Etienne’s Nothing Can Stop Us 12″. A second 12″ single was released with this remix by Dean Thatcher and Jagz Kooner of The Aloof, one of those deep, dub-house remixes from 1991 that are rather popular round here. For that moment just after the sun has gone down (probably best in a summer context that, given that it goes dark at around 4pm currently).

Speedwell (The Flying Mix)