Stop Wasting Time

Sunday night ended up with a bit of an impromptu gathering in our garden due to it being a bank holiday Monday the following day and very warm and sunny. The drinking started at about 5pm and carried on through til late. The neighbours were all given the benefit of various albums and compilations playing from inside the house out into the garden, starting off with the Mastercuts Classic House comp (vinyl, sounding a bit crackly and worn in places), then the first four sides of Sandinista!, with the switch from Voodoo Ray to The Magnificent 7 working very well indeed. Sandinista! works really well on cd, and Mick Jones’ remastering on the Sound System edition is spectacular, revealing new delights with almost every listen.

Side 2 of Sandinista! is essentially a Clash mixtape, opening with Rebel Waltz, a much overlooked moment of brilliance, a Mose Allison cover, some sweltering Simonon dub (The Crooked Beat), a blinding rock song (Somebody Got Murdered) and then The Clash and Mikey Dread kicking it out in a proper reggae style with One More Time and it’s dub sister. One More Time is Strummer’s depiction of ghetto poverty and the civil rights movement of the 60s, with the band on fire in the Electric Ladyland studio. It is followed by Mikey Dread’s heavier dubbed out version.

One More Time
One More Dub


We’re away this weekend, camping up in the Lake District. If we weren’t I’d be going along to Strummercamp, the annual Joe Strummer bank holiday festival held at Manchester Rugby Club in Cheadle. This year’s line up features Spear Of Destiny, The Membranes, TV Smith and Department X, and good vibes with good people. If you’re nearby and at a loose end, day tickets and weekend tickets are still available. Say hi to DJ Gadge if you see him.

Clash time. This is a ten minute unofficial mix of Bankrobber plus it’s versions Robber Dub and Rockers Galore (with Mikey Dread on the mic), flowing into one another. Turn up the bass.

Bankrobber/Robber Dub/Rockers Galore

Clash Dub (Reprise)

Sorry if you’re getting bored of The Clash but….

I’ve been enjoying The Clash’s dub tracks a lot recently. By 1979 they had got the hang of playing something pretty close to ‘proper dub’. Not just the punky reggae of Police And Thieves or Pressure Drop but a real appreciation of the space and technique required. Paul had mastered the basslines and the feel, Topper could play anything asked of him and when they hooked up with Mikey Dread they got some authentic Jamaican input. Mikey Dread performed live with the band on many occasions and did his dubwise versions on several single releases as well on Sandinista (most of side 6). The single Hitsville UK, Mick’s tribute to the UK’s independent record labels, was backed by six and half minutes of lovely dubbed out playing with Mikey toasting…

Radio One

And there’s a bonus offcut too- not sure this appears on any official releases (mine’s off the This Is Dub Clash bootleg).

Radio One (Reprise)

You can’t beat a duffle coat either.

>The Great Sandinista Parlour Game

While driving to the campsite during half term I made my family listen to Sandinista. All six sides, one hundred and forty four minutes, over two cds. No-one really objected. Mrs Swiss hummed along to the songs she knew. I continued to find songs I didn’t know. While settling down outside our tent I did think about instigating the Great Sandinista Parlour Game but thought it might be pushing it.

The Great Sandinista Parlour Game- in other words, can the six sides and thirty six songs of The Clash’s fourth album be trimmed and condensed into one twelve track killer album? Joe Strummer thought not- in Westway To The World he said some people thought it would’ve made a better double album or single album or e.p. but he rated it as ”a magnificent achievement” and loved it ”warts and all”. Topper reckons it could be a lot shorter, as does Paul. Mick thinks it’s perfect for people living on oil rigs or who are away from home a lot. In typical Clash style they thought that by insisting on a triple album, following London Calling (a double), selling at ‘no more than £5.99’ they’d be sticking it to CBS. CBS agreed on the proviso that they waived all royalties on UK sales until it sold 300,000 copies. To date it still hasn’t. They also became obsessed in the studio with it having six songs per side, thirty six in total, which probably explains the inclusion of some songs. Anyway, here we go…
The Magnificent Seven- Invents rockers do rap, with Mickey Gallagher & Norman Watt Roy. In.
Hitsville UK- Mick’s lightweight, poppy tribute to UK indie scene, sung by Ellen Foley. Out.
Junco Partner- bluesy/reggae cover of New Orleans song. Good. Maybe.
Ivan Meets G.I. Joe- Cold War disco face off, sung by Topper. Out.
The Leader- rattling two minute rockabilly version of Profumo affair. Maybe.
Something About England- lost masterpiece, tale of the 20th Century, sung by Mick & Joe. In.
Rebel Waltz. A waltz. Out.
Look Here. Jazzy stomp. Fun but inessential. Out.
The Crooked Beat- Paul’s tribute to reggae and south London. Great bassline. Maybe.
Somebody Got Murdered- sublime guitar rock with great Mick vocal. In.
One More Time- Heavy reggae ghetto rocker. In.
One More Dub- Dub version of above. Out but only because of duplication.
Lightning Strikes (Not Once But Twice)- funk rock, Blockheads again. Out I think.
Up In Heaven (Not Only Here)- Mick’s attack on poverty. Post-punky. Out.
Corner Soul- militant reggae rock (again). Good but… Out.
Let’s Go Crazy- Clash samba. Who else did this kind of thing? Still, out.
If Music Could Talk- Mad talking blues, with squawky saxophone. Joe’s favourite, so…In.
The Sound Of Sinners- So they did a gospel song. Because they felt like it. Out.
Police On My Back- blistering cover of Equals song. Clash albums need great cover versions. In.
Midnight Log- cool dubby rockabilly. Maybe.
The Equaliser- dub but not about Edward Woodward. Maybe.
The Call Up- disliked by some, but a dead groovy anti-war song. In.
Washington Bullets- laid back history of Latin America. Name of album comes from this. In.
Broadway. 2am in a bar in New York song . Great Joe vocal. In.
Lose This Skin- Tymon Dogg’s fiddle song due to chance meeting in NY. Diverting but…Out.
Charlie Don’t Surf- Apocalypse Now inspired fluid funk-rock. Maybe.
Mensforth Hill- Something About England played backwards. Listening Squire & Brown? Out.
Junkie Slip- skiffle anti-drug song. Out.
Kingston Advice- sparkling Clash reggae. Yes.
The Street Parade- superb, dreamy, melancholic, steel band, ode to being lost in the crowd. In.
Version City- dub. Out.
Living In Fame- more dub, with Mikey Dread. Out. Probably.
Silicone On Sapphire- sci-fi, fx, dubish. Out.
Version Partner- dub version of Junco Partner. Out. It’s not that I don’t like the dubs but…
Career Opportunities- Mickey Gallagher’s kids sing old Clash song. Fun but… Out.
Shepherd’s Delight- weird, acoustic/found sound/tape manipulation track. Far out but Out.
Which gives us…
Side 1 The Magnificent Seven, Junco Partner or The Leader (New Orleans blues or rockabilly? I can’t choose between them, help), Something About England, The Crooked Beat, Somebody Got Murdered, One More Time, If Music Could Talk.
That’s seven songs on side 1, one must go- sorry Paul, it’s The Crooked Beat I think.
Side 2
Police On My Back, The Call Up, Washington Bullets, Broadway, Kingston Advice, The Street Parade.
Which makes a damn good Clash album. With a dub version as a limited edition follow-up. But without the anything goes, try everything spirit which makes Sandinista so bewildering and unwieldy but so good and so interesting. It’s been said before but if anyone tried this today they’d have critics and the Mercury prize falling over themselves to praise it. As it is, it was slammed at the time and still has a mixed reputation today. Maybe the Sandinista Parlour Game is futile, maybe Mick and Joe’s opinion is the right one. And, as for this post, in the words of Joe halfway through the first track, ‘fucking long this innit?’