Fear

Flaming June eh? How come it’s nearly half way through 2016 already? Today’s offering is a treat for noiseniks from 1998, Kevin Shields remixing Mogwai and their already fearsome Mogwai Fear Satan song. Shields goes for broke with this sixteen minutes long song, adding flute and what at one point sounds like bagpipes to the guitar feakery. The first play of this on 12″ when it came out made me wonder if the stylus or stereo were broken and although the breakdown section at around nine fifty is pretty beautiful it’s probably not best served at a family barbeque. Credit where it’s due, thanks to DH for his photo of a forest in the Lake District taken at the weekend.

Mogwai Fear Satan (My Bloody Valentine Remix)

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Slow

Just a year or so after making (yesterday’s) Strawberry Wine single MBV were going further and deeper, as this beauty from the You Made Me Realise ep shows- the bass riff is like, erm, trippy sex. The picture shows Kevin Shields’ guitar pedal board. I saw him when he played with Primal Scream once and on some of the songs his hand movements had no obvious relation at all to the sound his guitar and amp were making.

Just plug that in there, stamp on that knob and off you go…

Slow

Strawberry Wine

Oh dear, back to work. It’s only when you have time off and actually relax that you realise how consuming your worklife is.

It’s funny that My Bloody Valentine sounded like this in 1987- sing song and 60s and lightweight.

Strawberry Wine

More Light

On reflection I think the new Primal Scream song, in it’s full nine minute version, is rather good. I mean, they’ve gone back to the sound of their XCLTR and Evil Heat albums in order to move forward, and this is good right ? Because their last two lps have been at best average, at worst poor. The siren/sax part is great, Kevin Shields is on guitar, the rhythm rocks, Holmes is in the production chair, the remixers should have a ball. The lyrics- well I know we should be applauding because no-one really addresses anything ‘political’ anymore do they? (but they’re a bit silly too, constant rhyming on words ending in tion leads to cliche in my book, and we all know TV talent shows are shit but are they really ‘the subjugation of the rock ‘n’ roll nation’?).

So, on balance… good I think. You may disagree (as Drew and Ctel will I suspect).

Don’t Ask Why

I’m not saying that Don’t Ask Why is necessarily any better than Soon or You Made Me Realise but recently when I’ve listened to this year’s remastered version off the My Bloody Valentine ep’s 1988-1991 compilation it seems like the perfect blend of narcotic, post-coital wooze, melody, distortion and noise. It is total MBV perfection.

Don’t Ask Why

Yo La Remix

I found this recently and was going to wait for autumn but frankly that involves planning- Yo la Tengo put out a career spanning double disc about a decade ago. Limited quantities came with a third disc, the main highlight of which was this- Autumn Sweater remixed by MBV’s Kevin Shields. Autumn Sweater is a beautiful, slow burning song of lost love, shyness, leaves turning brown and the need for an extra layer of clothing. Kevin Shields sidesteps that for a drum loop, a repeated organ part, an isolated and distorted vocal, an overloaded bass riff. Then he begins to add some other loops, all running on and on for just shy of nine minutes. Stunning.

Autumn Sweater (Kevin Shields Remix)

City Girl

A return to recent postee Kevin Shields and a song from the soundtrack of Lost In Translation (which came out in 2003. It really doesn’t seem that long ago). Lost In Translation starred Scarlett Johansson and Bill Murray as a pair of Americans marooned in Tokyo. The soundtrack was pretty good, featuring two other Shields songs, Death In Vegas, The Jesus and Mary Chain, Phoenix, Air and Squarepusher. This song is full of overdriven and distorted guitar, sleepy vocals and the sense of waking up very slowly, disorientated, while an amp overloads in a nearby room.

City Girl