Made Of Light

Tymon Dogg is best known round these parts as the man who recorded a song with The Clash on Sandinista (Lose This Skin) and as a member of Joe Strummer’s Mescaleros, contributing guitar, fiddle and song writing to some of Joe’s best 90s work. He has a solo album of his own out now and the good people at Blue Soap Music let me have a digital copy gratis. Tymon always seems like one of the archetypal free spirits, a wandering musician who pitches up when he wants to and follows his muse, hippy ideals and punk attitude. Made Of Light reflects this- it’s not always an easy listen and covers a variety of styles, moving from baroque harpsichords to acoustic songs via Spanish guitar, English folk-psychedelia and politicised lyrics. But it’s never less than interesting and is worth checking out. The stand out is A Pound Of Grain, a song that started life as a co-write with Joe Strummer and finished after his death- a rousing tune about the cost of the food processing industry and industrial agriculture. It also namechecks Bob Dylan and borrows from Leonardo da Vinci. Parts of the video aren’t for the fainthearted and could put you off your dinner.

This clip was put out by Tymon back in 2012, an unreleased song from the Combat Rock sessions with a video filmed to commemorate the tenth anniversary of Joe’s death, with Joe, Mick, Paul and Topper backing Tymon. Shades of Minstrel Boy.

>The Great Sandinista Parlour Game

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While driving to the campsite during half term I made my family listen to Sandinista. All six sides, one hundred and forty four minutes, over two cds. No-one really objected. Mrs Swiss hummed along to the songs she knew. I continued to find songs I didn’t know. While settling down outside our tent I did think about instigating the Great Sandinista Parlour Game but thought it might be pushing it.

The Great Sandinista Parlour Game- in other words, can the six sides and thirty six songs of The Clash’s fourth album be trimmed and condensed into one twelve track killer album? Joe Strummer thought not- in Westway To The World he said some people thought it would’ve made a better double album or single album or e.p. but he rated it as ”a magnificent achievement” and loved it ”warts and all”. Topper reckons it could be a lot shorter, as does Paul. Mick thinks it’s perfect for people living on oil rigs or who are away from home a lot. In typical Clash style they thought that by insisting on a triple album, following London Calling (a double), selling at ‘no more than £5.99’ they’d be sticking it to CBS. CBS agreed on the proviso that they waived all royalties on UK sales until it sold 300,000 copies. To date it still hasn’t. They also became obsessed in the studio with it having six songs per side, thirty six in total, which probably explains the inclusion of some songs. Anyway, here we go…

The Magnificent Seven- Invents rockers do rap, with Mickey Gallagher & Norman Watt Roy. In.

Hitsville UK- Mick’s lightweight, poppy tribute to UK indie scene, sung by Ellen Foley. Out.

Junco Partner- bluesy/reggae cover of New Orleans song. Good. Maybe.

Ivan Meets G.I. Joe- Cold War disco face off, sung by Topper. Out.

The Leader- rattling two minute rockabilly version of Profumo affair. Maybe.

Something About England- lost masterpiece, tale of the 20th Century, sung by Mick & Joe. In.

Rebel Waltz. A waltz. Out.

Look Here. Jazzy stomp. Fun but inessential. Out.

The Crooked Beat- Paul’s tribute to reggae and south London. Great bassline. Maybe.

Somebody Got Murdered- sublime guitar rock with great Mick vocal. In.

One More Time- Heavy reggae ghetto rocker. In.

One More Dub- Dub version of above. Out but only because of duplication.

Lightning Strikes (Not Once But Twice)- funk rock, Blockheads again. Out I think.

Up In Heaven (Not Only Here)- Mick’s attack on poverty. Post-punky. Out.

Corner Soul- militant reggae rock (again). Good but… Out.

Let’s Go Crazy- Clash samba. Who else did this kind of thing? Still, out.

If Music Could Talk- Mad talking blues, with squawky saxophone. Joe’s favourite, so…In.

The Sound Of Sinners- So they did a gospel song. Because they felt like it. Out.

Police On My Back- blistering cover of Equals song. Clash albums need great cover versions. In.

Midnight Log- cool dubby rockabilly. Maybe.

The Equaliser- dub but not about Edward Woodward. Maybe.

The Call Up- disliked by some, but a dead groovy anti-war song. In.

Washington Bullets- laid back history of Latin America. Name of album comes from this. In.

Broadway. 2am in a bar in New York song . Great Joe vocal. In.

Lose This Skin- Tymon Dogg’s fiddle song due to chance meeting in NY. Diverting but…Out.

Charlie Don’t Surf- Apocalypse Now inspired fluid funk-rock. Maybe.

Mensforth Hill- Something About England played backwards. Listening Squire & Brown? Out.

Junkie Slip- skiffle anti-drug song. Out.

Kingston Advice- sparkling Clash reggae. Yes.

The Street Parade- superb, dreamy, melancholic, steel band, ode to being lost in the crowd. In.

Version City- dub. Out.

Living In Fame- more dub, with Mikey Dread. Out. Probably.

Silicone On Sapphire- sci-fi, fx, dubish. Out.

Version Partner- dub version of Junco Partner. Out. It’s not that I don’t like the dubs but…

Career Opportunities- Mickey Gallagher’s kids sing old Clash song. Fun but… Out.

Shepherd’s Delight- weird, acoustic/found sound/tape manipulation track. Far out but Out.

Which gives us…

Side 1 The Magnificent Seven, Junco Partner or The Leader (New Orleans blues or rockabilly? I can’t choose between them, help), Something About England, The Crooked Beat, Somebody Got Murdered, One More Time, If Music Could Talk.

That’s seven songs on side 1, one must go- sorry Paul, it’s The Crooked Beat I think.

Side 2

Police On My Back, The Call Up, Washington Bullets, Broadway, Kingston Advice, The Street Parade.

Which makes a damn good Clash album. With a dub version as a limited edition follow-up. But without the anything goes, try everything spirit which makes Sandinista so bewildering and unwieldy but so good and so interesting. It’s been said before but if anyone tried this today they’d have critics and the Mercury prize falling over themselves to praise it. As it is, it was slammed at the time and still has a mixed reputation today. Maybe the Sandinista Parlour Game is futile, maybe Mick and Joe’s opinion is the right one. And, as for this post, in the words of Joe halfway through the first track, ‘fucking long this innit?’

The Street Parade